Wolfgang Amadeus Mozart, Luciano Pavarotti, Sir John Pritchard, Wiener Philharmoniker's 'Così fan tutte, K. 588 / Act 1: "Un'aura amorosa"' had a release date set for January 1, 2001. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Luciano Pavarotti's "Luciano Pavarotti - Amore" album is number 16 out of 39. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Così fan tutte, K. 588 / Act 1: "Un'aura amorosa"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Così fan tutte, K. 588 / Act 1: "Un'aura amorosa" by Wolfgang Amadeus Mozart, Luciano Pavarotti, Sir John Pritchard, Wiener Philharmoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Se Bastasse Una Canzone | Luciano Pavarotti, Eros Ramazzotti, Steve Gadd, Pino Palladino, Rob Mathes, Robbie Kondor, Orchestra filarmonica di Torino, Marco Boemi | C Major | 7 | 8B | 172 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir" | Johann Strauss II, Kiri Te Kanawa, Richard Leech, Tom Krause, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 131 BPM | ||
L 1. Akt / Act 1 | Wiener Philharmoniker | E Major | 1 | 12B | 67 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Nel blu, dipinto di blu | Domenico Modugno, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | B Minor | 2 | 10A | 131 BPM | ||
Divertimento in B-Flat Major, K.287, Lodron Night Music No. 2: IV. Adagio | Wolfgang Amadeus Mozart, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | E♭ Major | 1 | 5B | 167 BPM |