"Berceuse - Studio" by Radio Luxembourg Symphony Orchestra had its release date on November 1, 1988. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "The World's Most Beautiful Music Vol 1". In this album, this song's track order is #7. Berceuse - Studio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Berceuse - Studio by Radio Luxembourg Symphony Orchestra having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abbey Road concerto for Violin and Orchestra: III. Intermezzo 1 - Oh Darling | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 2 | 11B | 99 BPM | ||
Violin Sonata No. 6 in G Minor, Op. 103: II. Andante sostenuto | Robert Fuchs, Hyejin Chung, Warren Lee | E♭ Major | 1 | 5B | 86 BPM | ||
愛の言葉 | Gaspar Cassadó, ミロシュ・サードロ, アルフレード・ホレチェク | D Major | 1 | 10B | 102 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Hee-young Lim, Chuhui Liang | G Major | 1 | 9B | 171 BPM | ||
Piano Quintet, Op. 92, SO 610: II. Andante lamentoso | Leo Ornstein, Jascha Nemtsov, Asasello Quartett | E♭ Major | 0 | 5B | 82 BPM | ||
Trio for Piano, Violin and Horn in E-Flat Major, Op. 40: I. Andante | Johannes Brahms, Geoffroy Couteau, Amaury Coeytaux, Antoine Dreyfuss | B♭ Major | 3 | 6B | 103 BPM | ||
An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
Concerto for cello and orchestra no. 1 in A Minor, Op. 14: I. Allegro moderato | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | A Major | 2 | 11B | 140 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 13, Die Post | Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones | E Major | 0 | 12B | 115 BPM |