Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones's 'Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 13, Die Post' came out on May 17, 2024. The duration of Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 13, Die Post is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 13, Die Post's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Schubert Reimagined". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 13, Die Post is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 13, Die Post by Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder Ohne Worte, Drittes Heft, Op. 38 (Arr. for Violin and Piano by Ferdinand David): II. Allegro non troppo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Sonate pour flûte et piano, Op. 64: II. Scherzo. Vivace | Mel Bonis, Mathilde Calderini, Aurèle Marthan | A Major | 3 | 11B | 82 BPM | ||
ハンガリー狂詩曲 | David Popper, ヤーノシュ・シュタルケル, Shigeo Neriki | E Minor | 3 | 9A | 115 BPM | ||
Suíte Brasileira: Baião | André Mehmari, Anderson César Alves | D Major | 5 | 10B | 120 BPM | ||
20 Waltzes, Op. 127, D.146: No. 19 in F Major - No. 15 in G Minor - No. 20 in D Major | Franz Schubert, Pierre-Laurent Aimard | D Major | 1 | 10B | 128 BPM | ||
Concerto for cello and orchestra no. 1 in A Minor, Op. 14: I. Allegro moderato | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | A Major | 2 | 11B | 140 BPM | ||
Distant | Misya | B Minor | 1 | 10A | 100 BPM | ||
Epilogue | Rebecca Clarke, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) | Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen | D Major | 2 | 10B | 76 BPM | ||
An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM |
Section: 0.8868217468261719
End: 0.8920321464538574