Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra's 'Abbey Road concerto for Violin and Orchestra: III. Intermezzo 1 - Oh Darling' had a release date set for June 7, 2024. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra's "Guy Braunstein: Abbey Road Concerto" album is number 3 out of 20. On top of that, France appears to be the country where this track was created. In terms of popularity, Abbey Road concerto for Violin and Orchestra: III. Intermezzo 1 - Oh Darling is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Abbey Road concerto for Violin and Orchestra: III. Intermezzo 1 - Oh Darling by Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gli uccelli, P. 154: III. La gallina | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | D Major | 1 | 10B | 173 BPM | ||
Concerto n°3 en Fa majeur, RV 293 "L'automne", Troisième mouvement: Allegro | Antonio Vivaldi, Manoug Parikian, Philharmonia Orchestra, Carlo Maria Giulini | E Major | 1 | 12B | 97 BPM | ||
Serenade in G Major, Op. 23, No. 3, G. 147 (version for flute and piano): II. Marcia - Risoluto | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | C Major | 1 | 8B | 140 BPM | ||
Bach, CPE: Symphonies, Wq. 183: No. 3 in F Major: I. Allegro di molto | Carl Philipp Emanuel Bach, Ton Koopman, Amsterdam Baroque Orchestra | B Major | 1 | 1B | 135 BPM | ||
Syncopation (Arr. G. Braunstein for Flute Quartet) | Fritz Kreisler, Gili Schwarzman, Guy Braunstein, Amihai Grosz, Alisa Weilerstein | G Major | 1 | 9B | 143 BPM | ||
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | ||
Symphony in D Minor, FWV 48: II. Allegretto | César Franck, Orchestre Philharmonique Royal de Liège, Christian Arming | B♭ Minor | 0 | 3A | 83 BPM | ||
Les Heures dolentes: I. Épigraphe (Lent et grave) - La mort rôde (Très modéré) - Transcribed for Orchestra | Gabriel Dupont, Orchestre Philharmonique Royal de Liège, Patrick Davin | D♭ Major | 1 | 3B | 87 BPM | ||
Jour d'été: III. Nocturne (Allegro vivo) | Gabriel Dupont, Orchestre Philharmonique Royal de Liège, Patrick Davin | D♭ Minor | 7 | 12A | 110 BPM | ||
Trio in G Major (Hob. XV:25): II. Poco Adagio | Joseph Haydn, Gryphon Trio | E Major | 2 | 12B | 76 BPM |