"Chanson de l'adieu" by Francesco Paolo Tosti, William Matteuzzi, Paola Molinari was released on January 1, 1994. The duration of Chanson de l'adieu is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Chanson de l'adieu's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vocal Recital: Matteuzzi, William - Tosti by Francesco Paolo Tosti, William Matteuzzi. The song's track number on the album is #16 out of 19 tracks. Based on our data, Italy was the country where this track was produced or recorded. Based on our statistics, Chanson de l'adieu's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Chanson de l'adieu by Francesco Paolo Tosti, William Matteuzzi, Paola Molinari has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Chanson de l'adieu being at 139 BPM, the half-time would be 70 BPM with a double-time of 278 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Ridonami la calma | Francesco Paolo Tosti, Carlo Bergonzi, Orchestra Da Camera Di Roma, Edoardo Muller | E♭ Major | 1 | 5B | 73 BPM | ||
Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | ||
Arrivederci Roma | Renato Rascel, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Major | 1 | 6B | 85 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Non T'amo Più | Francesco Paolo Tosti | E Major | 1 | 12B | 113 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
La Vestale (1997 Digital Remaster): O nome tutelar | Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 86 BPM | ||
Fedora: Amor ti vieta | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma, Coro Del Teatro Regio Di Parma | C Major | 2 | 8B | 177 BPM | ||
Un moto di gioia mi sento, K.579 | Wolfgang Amadeus Mozart, Edita Gruberova, Vienna Chamber Orchestra, György Fischer | D Major | 2 | 10B | 130 BPM |
Section: 0.5993082523345947
End: 0.6037495136260986