"Symphony No.36 in C Major, K.425 ("Linz"):" by Bamberg Symphony, Alexander von Pitamic was released on March 30, 2010. Since Symphony No.36 in C Major, K.425 ("Linz"): is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bamberg Symphony's "Mozart - Symphonies, Vol. 2 (Standing Ovation Series)" album is number 2 out of 19. Symphony No.36 in C Major, K.425 ("Linz"): is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No.36 in C Major, K.425 ("Linz"): by Bamberg Symphony, Alexander von Pitamic to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slavonic Dances, Op. 46, B. 83: No. 5 in A Major (arr. for Orchestra) | Antonín Dvořák, Bamberg Symphony, Antal Doráti | E Major | 3 | 12B | 153 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Pro et contra: III. Allegro | Arvo Pärt, Bamberg Symphony, Neeme Järvi | A Major | 0 | 11B | 58 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Symphony No.5 In C Minor, Op.67: 3. Allegro | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 84 BPM | ||
Violin Concerto in D Major, K053: II. Aria I | Igor Stravinsky, Frank Peter Zimmermann, Bamberg Symphony, Jakub Hrůša | D Minor | 1 | 7A | 113 BPM | ||
Le Tombeau de Couperin, M. 68: II. Fugue (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | E Minor | 0 | 9A | 66 BPM | ||
Harold en Italie, Op. 16: III. Allegro Assai (Serenade of an Abruzzi Mountain-Dweller to his Mistress) | Hector Berlioz, Rivka Golani, San Diego Symphony Orchestra, Yoav Talmi | C Major | 0 | 8B | 84 BPM | ||
Violin Concerto No.1 in A minor, BWV 1041: I. (Tempo ordinario) | Bamberg Symphony, Hanspeter Gmür, Otto Büchner | A Minor | 3 | 8A | 87 BPM | ||
Wedding Day of Troldhaugen op. 65 Tempo di Marcia un poco vivace | Academy of St. Martin in the Fields | D Major | 0 | 10B | 113 BPM |
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