"Pro et contra: III. Allegro" by Arvo Pärt, Bamberg Symphony, Neeme Järvi was released on April 30, 1989. The duration of Pro et contra: III. Allegro is about 3 minutes long, at 3:23. Based on our data, "Pro et contra: III. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Part: Cello Concerto / Perpetuum Mobile / Symphonies No. 1, No. 2 and No. 3". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Sweden. Pro et contra: III. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pro et contra: III. Allegro by Arvo Pärt, Bamberg Symphony, Neeme Järvi having a BPM of 58 with a half-time of 29 BPM and a double-time of 116 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM | ||
Pärt: Statuit ei Dominus | Arvo Pärt, Tõnu Kaljuste, Christopher Bowers-Broadbent, Ene Salumae, Estonian Philharmonic Chamber Choir, Kaia Urb, Tiit Kogermann | D Minor | 1 | 7A | 82 BPM | ||
Nocturne in G Minor | Frédéric Chopin, Ólafur Arnalds, Alice Sara Ott | G Minor | 1 | 6A | 120 BPM | ||
Les tendres plaintes | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 110 BPM | ||
Spiegel im Spiegel - For Clarinet And Piano: 1. Spiegel im Spiegel | Arvo Pärt, Alexei Lubimov, Kirill Rybakov | F Major | 0 | 7B | 68 BPM | ||
Eights | Rachel Grimes | C Major | 2 | 8B | 104 BPM | ||
En vacances: Où l'on entend une vieille boite à musique: | Déodat de Séverac, Anne Queffélec | B♭ Major | 2 | 6B | 106 BPM | ||
Salomon Rossi Suite: V. Lento | Lukas Foss, Brooklyn Philharmonic, Brooklyn Philharmonic Orchestra | F Major | 0 | 7B | 101 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 3 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | B♭ Major | 3 | 6B | 145 BPM | ||
Bach mit Zumutungen | Víkingur Ólafsson, Roedelius, Thomas Rabitsch | A Major | 2 | 11B | 134 BPM |
Section: 0.5428998470306396
End: 0.5477988719940186