"The Sleeping Beauty, Op. 66, TH 13: Scène dansante" by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew Mogrelia was released on 1992. With this song being about 5 minutes long, at 4:48, "The Sleeping Beauty, Op. 66, TH 13: Scène dansante" by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew Mogrelia is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Tchaikovsky: Sleeping Beauty". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. The Sleeping Beauty, Op. 66, TH 13: Scène dansante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66, TH 13: Scène dansante by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew Mogrelia having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Don Quixote: Act I: Coda: Basilio and Quiteria make their escape | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D Major | 2 | 10B | 167 BPM | ||
Valses - Remasterizado | Luis Cobos, Alexander Borodin, Pyotr Ilyich Tchaikovsky | D Major | 1 | 10B | 176 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
Cinderella, Op. 87: 12. Spring Fairy | Sergei Prokofiev, Russian National Orchestra, Mikhail Pletnev | D Major | 0 | 10B | 128 BPM | ||
Die Libelle, Op. 204 | Josef Strauss, Carlos Kleiber, Wiener Philharmoniker | G Major | 1 | 9B | 85 BPM | ||
Giselle: Act II: Apparition de Giselle (Apparition of Giselle) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 116 BPM | ||
Raymonda, Act I: Prelude et Variation | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 104 BPM |
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