Don Quixote: Act I: Coda: Basilio and Quiteria make their escape - Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov Information

Acousticness: 89%
Danceability: 47%
Energy: 16%
Instrumentalness: 95%
Liveness: 7%
Loudness: 67%
Speechiness: 7%
Valence: 63%
Popularity: 23%
Loudness: -19.91 dB

Summary

Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov made "Don Quixote: Act I: Coda: Basilio and Quiteria make their escape" available on February 24, 2004. The duration of Don Quixote: Act I: Coda: Basilio and Quiteria make their escape is about 3 minutes long, at 3:01. Based on our data, "Don Quixote: Act I: Coda: Basilio and Quiteria make their escape" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ludwig Minkus, Nayden Todorov's "Minkus: Don Quixote" album is number 25 out of 59. The popularity of Don Quixote: Act I: Coda: Basilio and Quiteria make their escape is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Don Quixote: Act I: Coda: Basilio and Quiteria make their escape BPM

We consider the tempo marking of Don Quixote: Act I: Coda: Basilio and Quiteria make their escape by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.

Don Quixote: Act I: Coda: Basilio and Quiteria make their escape Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Adam: Giselle, Act 1: No. 5 Variation I	Adolphe Adam, Terence Kern, London Festival Ballet Orchestra	A Major	2	11B	77 BPM
Carmen Suite: VIII. Bolero (after G. Bizet): Carmen's Entrance and Habanera	Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar	D Major	0	10B	115 BPM
La Bayadere, Act III: 46. "Variation - 3rd Soloist Shade"	Evergreen Symphony Orchestra, Kevin Galiè	D Major	0	10B	170 BPM
Scheherazade: Sinbad's mighty bird, the Roc	Nikolai Rimsky-Korsakov, Joakim Svenheden	G Major	3	9B	143 BPM
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16a, Pas de deux de Fanny Elssler. Introduction	Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth	F Major	1	7B	107 BPM
The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation III. Miettes qui tombent (Fairy of the Woodland Glade)	Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko	D Major	0	10B	66 BPM
Peter and the Wolf, Op. 67 (Without Narration): The Cat	Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard	G Major	0	9B	211 BPM
Don Quixote: Act II: Gypsy Dance II	Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov	D♭ Major	2	3B	78 BPM
The Sleeping Beauty, Ballet Suite, op. 66a: Waltz	New Philharmonia Orchestra London, Lawrence Siegel	B♭ Major	1	6B	108 BPM
Gaîté parisienne: Barcarolle	Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa	A Minor	0	8A	135 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8705654144287109

End: 0.874596357345581