Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar's 'Carmen Suite: VIII. Bolero (after G. Bizet): Carmen's Entrance and Habanera' came out on October 7, 1994. The duration of Carmen Suite: VIII. Bolero (after G. Bizet): Carmen's Entrance and Habanera is about 3 minutes long, at 3:21. Based on our data, "Carmen Suite: VIII. Bolero (after G. Bizet): Carmen's Entrance and Habanera" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Shchedrin: Carmen Suite / Concerto for Orchestra". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Carmen Suite: VIII. Bolero (after G. Bizet): Carmen's Entrance and Habanera is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carmen Suite: VIII. Bolero (after G. Bizet): Carmen's Entrance and Habanera by Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppelia Ballet Suite: Slav Theme and Variations | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E Major | 0 | 12B | 125 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
Act I - Dance Of The Soviet Sailors: Apple | St. Petersburg State Symphony Orchestra, Reinhold Glière | D Minor | 3 | 7A | 79 BPM | ||
Eugene Onegin - Waltz | Symphony Orchestra of the Russian State TV & Radio Centre | A♭ Major | 1 | 4B | 118 BPM | ||
Die Puppenfee (The Fairy Doll): No. 15 Waltz | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 181 BPM | ||
Carmen Suite after Bizet's Opera: 1. Introduction | Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev | D♭ Major | 0 | 3B | 91 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Gayane Suite No. 3: II. Dance of the Comrades | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D♭ Major | 4 | 3B | 106 BPM | ||
Concerto for Violin and String Orchestra in D Minor, MWV O 3: I. Allegro | Felix Mendelssohn, Slovak National Symphony Orchestra, Theodore Kuchar, Antonio Pompa-Baldi, Solomiya Ivakhiv | G Major | 1 | 9B | 99 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM |
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