Johan Helmich Roman, Höör Barock, Dan Laurin made "Golovinmusiken, BeRI 1: No. 3, Larghetto" available on March 1, 2019. The duration of Golovinmusiken, BeRI 1: No. 3, Larghetto is about 3 minutes long, at 3:06. Based on our data, "Golovinmusiken, BeRI 1: No. 3, Larghetto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johan Helmich Roman, Höör Barock, Dan Laurin's "Johan Helmich Roman: Golovinmusiken, BeRI 1" album is number 3 out of 45. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Golovinmusiken, BeRI 1: No. 3, Larghetto's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Golovinmusiken, BeRI 1: No. 3, Larghetto by Johan Helmich Roman, Höör Barock, Dan Laurin to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Giardino d'Amore: Sinfonia | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 0 | 1A | 65 BPM | ||
Sonata No. 7 in E Minor "La magnifique": I. Prélude | Louis-Nicolas Clérambault, Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 125 BPM | ||
Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: X. Largo | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | D Minor | 0 | 7A | 97 BPM | ||
Abdelazar Suite, Z. 570: VIII. Hornpipe | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Sinfonia in F Major, Badley F1: III. Menuet | Leopold Hofmann, Northern Chamber Orchestra, Nicholas Ward | A Minor | 2 | 8A | 80 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": I. Overture | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 112 BPM | ||
Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
Neubrandenburg Concerto No. 3: IV. Aria (Transcr. By Harer, after Bach's "Gedenke doch, mein Geist, zurücke" BWV 509) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F Major | 0 | 7B | 102 BPM |
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