Jean-Philippe Rameau, Jean-François Paillard, Orchestre Jean-François Paillard made "Rameau : Les Indes galantes : Act 3 "Mon abord paraît l'interdire" [Ali, Tacmas] "Elle paraît livrée à quelque inquiétude" [Tacmas]" available on 1974. With this song being about 5 minutes long, at 5:07, "Rameau : Les Indes galantes : Act 3 "Mon abord paraît l'interdire" [Ali, Tacmas] "Elle paraît livrée à quelque inquiétude" [Tacmas]" by Jean-Philippe Rameau, Jean-François Paillard, Orchestre Jean-François Paillard is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 67 in the song's album "Rameau : Les Indes galantes". In this album, this song's track order is #35. Furthermore, we believe that the track originated from France. Rameau : Les Indes galantes : Act 3 "Mon abord paraît l'interdire" [Ali, Tacmas] "Elle paraît livrée à quelque inquiétude" [Tacmas] is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Rameau : Les Indes galantes : Act 3 "Mon abord paraît l'interdire" [Ali, Tacmas] "Elle paraît livrée à quelque inquiétude" [Tacmas] by Jean-Philippe Rameau, Jean-François Paillard, Orchestre Jean-François Paillard having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Piano Sonata No. 34 in C Minor: I. Larghetto | Baldassare Galuppi, Víkingur Ólafsson | C Minor | 0 | 5A | 70 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
Ciaccona (Antonio Falconiero ca. 1585-1656) | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | G Major | 1 | 9B | 101 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM |
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