Sonata in G Minor, Op. 5, No. 5 (version for viola da gamba and basso continuo): III. Adagio
Arcangelo Corelli, Guido Balestracci, Eunice Brandao, Eduardo Egüez, Gaetano Nasillo, Massimiliano Raschietti
Corelli: Sonate per Viola da Gamba & basso continuo, Op. 5
2:41 October 4, 2011
BPM
94
Key
E Major
Camelot
12B

Embed

Share Link

Sonata in G Minor, Op. 5, No. 5 (version for viola da gamba and basso continuo): III. Adagio - Arcangelo Corelli, Guido Balestracci, Eunice Brandao, Eduardo Egüez, Gaetano Nasillo, Massimiliano Raschietti Information

Acousticness
99%
Danceability
26%
Energy
14%
Instrumentalness
90%
Liveness
10%
Loudness
59%
Speechiness
4%
Valence
69%
Popularity
Loudness
-24.656 dB

Summary

Arcangelo Corelli, Guido Balestracci, Eunice Brandao, Eduardo Egüez, Gaetano Nasillo, Massimiliano Raschietti made "Sonata in G Minor, Op. 5, No. 5 (version for viola da gamba and basso continuo): III. Adagio" available on October 4, 2011. The duration of Sonata in G Minor, Op. 5, No. 5 (version for viola da gamba and basso continuo): III. Adagio is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Sonata in G Minor, Op. 5, No. 5 (version for viola da gamba and basso continuo): III. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 48 in Corelli: Sonate per Viola da Gamba & basso continuo, Op. 5 by Arcangelo Corelli, Guido Balestracci. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Sonata in G Minor, Op. 5, No. 5 (version for viola da gamba and basso continuo): III. Adagio is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Sonata in G Minor, Op. 5, No. 5 (version for viola da gamba and basso continuo): III. Adagio BPM

The tempo marking of Sonata in G Minor, Op. 5, No. 5 (version for viola da gamba and basso continuo): III. Adagio by Arcangelo Corelli, Guido Balestracci, Eunice Brandao, Eduardo Egüez, Gaetano Nasillo, Massimiliano Raschietti is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Sonata in G Minor, Op. 5, No. 5 (version for viola da gamba and basso continuo): III. Adagio Key

E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Serenade No. 13 in G Major, K. 525, Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: AndanteWolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang SobotkaC Major08B143 BPM
Concerto for 2 Flutes in C Major, RV 533: III. Allegro by Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas KraemerConcerto for 2 Flutes in C Major, RV 533: III. AllegroAntonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas KraemerG Major29B178 BPM
Intermedes de Xerxes: Bourre pour les Basques by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonIntermedes de Xerxes: Bourre pour les BasquesJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Major12B140 BPM
Amphitryon, Z. 572, Amphitryon, Z. 572, "The 2 Sosias": VIII. BorreeHenry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin MallonD♭ Minor112A82 BPM
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade by Cologne Chamber Orchestra, Georg Philipp TelemannOverture (Suite) In G Minor, TWV 55: G4: VI. GasconnadeCologne Chamber Orchestra, Georg Philipp TelemannG Minor46A146 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro by Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio VivaldiConcerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. AllegroCologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio VivaldiB Minor310A123 BPM
Symphony No. 2 in A Major, Op. 2, Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto AllegroWilliam Boyce, Aradia Ensemble, Kevin MallonA♭ Major14B181 BPM
Oboe Concerto No. 3 in G Minor, HWV 287: III. Sarabande: Largo by George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas WardOboe Concerto No. 3 in G Minor, HWV 287: III. Sarabande: LargoGeorge Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas WardB♭ Major06B85 BPM
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau by Carl Friedrich Abel, Elinor Frey, Lorenzo GhielmiSonata for violoncello and basso continuo in G Major, WKO 147: III. RondeauCarl Friedrich Abel, Elinor Frey, Lorenzo GhielmiF♯ Major22B147 BPM
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo by Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic OrchestraSinfonia In D Major, Wq. 183/1, H. 663 : II. LargoCarl Philipp Emanuel Bach, Salzburg Chamber Philharmonic OrchestraF Major07B133 BPM
ISRC
CH1491125018
Label
L-M Records/RCA Records

Section: 0.5851607322692871

End: 0.5883266925811768