"Concerto in G Minor, Op. 19 No. 2 ("La notte"): Largo" by Malcolm Proud, James Galway was released on 1978. The duration of Concerto in G Minor, Op. 19 No. 2 ("La notte"): Largo is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Concerto in G Minor, Op. 19 No. 2 ("La notte"): Largo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in James Galway's "James Galway plays Flute Concertos - Sony Classical Masters" album is number 4 out of 142. Concerto in G Minor, Op. 19 No. 2 ("La notte"): Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto in G Minor, Op. 19 No. 2 ("La notte"): Largo by Malcolm Proud, James Galway to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: IV. Air contrefugué | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Harpsichord Concerto in G Major, H. 412 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): II. Adagio (Cadenza: Mayer) | Albrecht Mayer, Carl Philipp Emanuel Bach, Berliner Barock Solisten | D Major | 0 | 10B | 96 BPM | ||
Concerto grosso in D Major, D-WD 538, After Sonata, Op. 5 No. 1 by Corelli: III. Allegro | Giovanni Benedetto Platti, Ensemble Cordia, Stefano Veggetti | B♭ Minor | 0 | 3A | 112 BPM | ||
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Handel: Concerto grosso in G Major, Op. 3 No. 3, HWV 314: III. Adagio | George Frideric Handel, Jean-Pierre Rampal, Huguette Fernandez, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | G Major | 1 | 9B | 77 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: I. Allegro | Johann Friedrich Fasch, Il Gardellino | A♭ Major | 2 | 4B | 99 BPM | ||
Suite in D Minor, HWV 448: V. Chaconne | George Frideric Handel, Fernando De Luca | B Minor | 3 | 10A | 89 BPM | ||
Trio Sonata for Flute, Violin and Continuo in B minor, Op.2, No. 1, HWV 386b: 4. Allegro | George Frideric Handel, Lisa Beznosiuk, Simon Standage, Anthony Pleeth, Trevor Pinnock | B♭ Minor | 1 | 3A | 97 BPM |
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