"Concerto grosso in D Major, D-WD 538, After Sonata, Op. 5 No. 1 by Corelli: III. Allegro" by Giovanni Benedetto Platti, Ensemble Cordia, Stefano Veggetti was released on November 1, 2013. With Concerto grosso in D Major, D-WD 538, After Sonata, Op. 5 No. 1 by Corelli: III. Allegro being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Platti: Cello Concertos". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Concerto grosso in D Major, D-WD 538, After Sonata, Op. 5 No. 1 by Corelli: III. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto grosso in D Major, D-WD 538, After Sonata, Op. 5 No. 1 by Corelli: III. Allegro by Giovanni Benedetto Platti, Ensemble Cordia, Stefano Veggetti having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allemanda ad imitatione d'un tartaglia | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 3 | 1A | 99 BPM | ||
Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
Fantazia I, Z. 732 | Henry Purcell, John Holloway, Monika Baer, Martin Zeller | D♭ Minor | 1 | 12A | 162 BPM | ||
Overture-Suite in D Major, TWV 55:D1: IV. Air 3: Presto | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D♭ Major | 3 | 3B | 118 BPM | ||
Symphony in A Major, Eisen A1: III. Allegro | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | A Major | 0 | 11B | 97 BPM | ||
Sinfonia from Cantata BWV 169 Gott soll allein mein Herze haben | Johann Sebastian Bach, Stefano Veggetti, Ensemble Cordia, Takashi Watanabe | E Major | 1 | 12B | 71 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 8, L'et cӕtera, ou menuets | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Sinfonia from Cantata BWV 146 Wir müssen durch viel Trübsal | Johann Sebastian Bach, Stefano Veggetti, Ensemble Cordia, Takashi Watanabe | C Major | 4 | 8B | 170 BPM | ||
Recorder Concerto No. 9 in A Minor: III. Fuga | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 2 | 1A | 117 BPM | ||
12 Flute Sonatas, Op. 2, No. 8 Sonata in F Major: I. Largo | Pietro Locatelli, Florilegium, Ashley Solomon | B♭ Minor | 1 | 3A | 118 BPM |
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