Concerto a 5 in C, Op.7, No.11 for 2 Oboes, Strings and stop Continuo: 2. Adagio - Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, I Musici Information

Acousticness: 93%
Danceability: 28%
Energy: 13%
Instrumentalness: 92%
Liveness: 8%
Loudness: 66%
Speechiness: 5%
Valence: 7%
Popularity: 9%
Loudness: -20.476 dB

Summary

"Concerto a 5 in C, Op.7, No.11 for 2 Oboes, Strings and stop Continuo: 2. Adagio" by Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, I Musici was released on August 17, 1992. The duration of Concerto a 5 in C, Op.7, No.11 for 2 Oboes, Strings and stop Continuo: 2. Adagio is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Concerto a 5 in C, Op.7, No.11 for 2 Oboes, Strings and stop Continuo: 2. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 32 out of 44 in Albinoni: 12 Concerti Op. 7; 2 Sonatas Op. 2 by Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, I Musici. Concerto a 5 in C, Op.7, No.11 for 2 Oboes, Strings and stop Continuo: 2. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Concerto a 5 in C, Op.7, No.11 for 2 Oboes, Strings and stop Continuo: 2. Adagio BPM

The tempo marking of Concerto a 5 in C, Op.7, No.11 for 2 Oboes, Strings and stop Continuo: 2. Adagio by Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, I Musici is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Concerto a 5 in C, Op.7, No.11 for 2 Oboes, Strings and stop Continuo: 2. Adagio Key

This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto Grosso in D Major, Op. 1, No. 9: I. Allegro	Pietro Locatelli, Capella Istropolitana	D Major	3	10B	136 BPM
Telemann: Concerto for 2 Flutes and Violone in A Minor, TWV 53:a1: III. Loure	Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Jacques Zoon, Klaus Stoll, Rainer Kussmaul	G Minor	4	6A	120 BPM
Brandenburg Concerto No. 1 In F Major, BWV 1046: II. Adagio	Cologne Chamber Orchestra, Johann Sebastian Bach	D Minor	1	7A	78 BPM
Violin Sonata in C Major, Wq. 73, H. 504: III. Allegretto	Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim	F♯ Major	2	2B	169 BPM
Concerto In B Flat Major Op. 7 No. 3: I. Allegro	Tomaso Albinoni, Instrumental, Brynjar Hoff, Ian Watson, English Chamber Orchestra	B♭ Major	3	6B	95 BPM
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro	Charles Avison, The Avison Ensemble, Pavlo Beznosiuk	D♭ Minor	2	12A	87 BPM
Violin Concerto in D Major, JunP I.7: III. Allegro	Johann Georg Pisendel, Freiburger Barockorchester, Gottfried Von Der Goltz	D♭ Major	2	3B	183 BPM
Concerto a 5 in G Minor, Op. 9, No. 8 for Oboe, Strings, and Continuo: 2. Adagio	Tomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa Garatti	B♭ Major	2	6B	80 BPM
Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace	Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach	A Minor	3	8A	98 BPM
Concerto Grosso in C Minor, Op. 1, No. 2: II. Allegro	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	C Minor	3	5A	140 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.687089204788208

End: 0.6915113925933838