On January 1, 1994, the song "Violin Sonata in C Major, Wq. 73, H. 504: III. Allegretto" was released by Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim. With this song being about 5 minutes long, at 5:00, "Violin Sonata in C Major, Wq. 73, H. 504: III. Allegretto" by Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 18 in Chamber Music (Baroque) - Frederick Iii / Schaffrath, C. / Bach, C.P.E. / Benda, F. / Janitsch, J.G. (Music From Sanssouci) by Berlin Baroque Compagney. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Violin Sonata in C Major, Wq. 73, H. 504: III. Allegretto is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Violin Sonata in C Major, Wq. 73, H. 504: III. Allegretto by Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B♭ Minor | 1 | 3A | 106 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | ||
Suite No.2 in B minor, BWV 1067: 5. Polonaise | Johann Sebastian Bach, William Bennett, Academy of St. Martin in the Fields, Thurston Dart, Sir Neville Marriner | B Minor | 2 | 10A | 125 BPM | ||
Concerto for Oboe, Strings and B.c. "Voli per l'aria": Adagio (from Organconcerto op.4,3, HWV 291) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Minor | 0 | 3A | 178 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Flute Sonata in E Minor, Op. 3, No. 3: IV. Giga | Giovanni Benedetto Platti, Bernhard Bohm, Rainer Zipperling, Glen Wilson | E♭ Minor | 1 | 2A | 131 BPM | ||
Concerto 1 in D Minor, Op. 7: I. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 92 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: I. Ouverture | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 121 BPM | ||
Part I. Overture in E minor: IV. Loure | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 0 | 2A | 90 BPM |
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