David Porcelijn, Tasmanian Symphony Orchestra made "Symphony No. 8 in F Major, Op. 93: 2. Allegretto scherzando" available on 2009. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "My First Orchestra Album" album is number 15 out of 22. In terms of popularity, Symphony No. 8 in F Major, Op. 93: 2. Allegretto scherzando is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Symphony No. 8 in F Major, Op. 93: 2. Allegretto scherzando by David Porcelijn, Tasmanian Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Egmont Overture, Op.84: Overture | Kurt Sanderling | F Minor | 1 | 4A | 79 BPM | ||
Der Zigeunerbaron: Overture | Johann Strauss II, Hallé, Bramwell Tovey | C Major | 0 | 8B | 77 BPM | ||
Violin Concerto in G Major (completed by G. Rose): II. Adagio | Johann Nepomuk Hummel, Alexander Trostianski, Russian Philharmonic Orchestra, Gregory Rose | G Major | 1 | 9B | 92 BPM | ||
String Quartet No. 4 in C Major, K. 157: II. Andante | Eder Quartet | C Minor | 0 | 5A | 98 BPM | ||
Pelléas et Mélisande, Op.80: 4. Sicilienne | Adelaide Symphony Orchestra, David Stanhope | G Minor | 1 | 6A | 76 BPM | ||
Octet in E-Flat, Op. 20: II. Andante | Felix Mendelssohn, James Ehnes, Erin Keefe, Andrew Wan, Augustin Hadelich, Cynthia Phelps, Richard O'Neill, Robert DeMaine, Edward Arron, Vladimir Ashkenazy | F Minor | 0 | 4A | 98 BPM | ||
Symphony No.5 In E Minor, Op.64, TH.29: 3. Valse (Allegro moderato) | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | E Minor | 3 | 9A | 95 BPM | ||
Symphony in C Major, GB 115: I. Allegro vivo | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 80 BPM | ||
Hungarian Dance No.10 in F - Orchestrated by Brahms | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F Minor | 2 | 4A | 137 BPM | ||
Pictures at an Exhibition: V. Ballet of the Chicks in Their Shells | Simon Tedeschi | F♯ Major | 1 | 2B | 101 BPM |
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