"Der Zigeunerbaron: Overture" by Johann Strauss II, Hallé, Bramwell Tovey was released on November 3, 2003. Since Der Zigeunerbaron: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Strauss II, Hallé, Bramwell Tovey's "Johann Strauss II Waltzes, Polkas & Overtures" album is number 1 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Der Zigeunerbaron: Overture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Zigeunerbaron: Overture by Johann Strauss II, Hallé, Bramwell Tovey to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Peasant and The Poet | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | D Major | 2 | 10B | 86 BPM | ||
Gounod: La Colombe, Act 2: "Helas, seigneur, pardonnez-moi" (Horace) | Charles Gounod, Sir Mark Elder, Hallé | D Major | 2 | 10B | 92 BPM | ||
Violin Concerto in D Minor, MWV O3: III. Allegro | Felix Mendelssohn, Tianwa Yang, Sinfonia Finlandia Jyvaskyla, Patrick Gallois | D Minor | 2 | 7A | 161 BPM | ||
Holberg Suite, Op. 40: I. Prelude | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 70 BPM | ||
Symphony in D Minor, FWV 48: III. Finale. Allegro non troppo | César Franck, Luxembourg Philharmonic Orchestra, Gustavo Gimeno | D Major | 1 | 10B | 129 BPM | ||
Holberg Suite, opus 40:Air (Andante religioso) | Academy of St. Martin in the Fields | G Minor | 1 | 6A | 67 BPM | ||
Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | ||
Soirees musicales, Op. 9: III. Tirolese | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 0 | 11B | 71 BPM | ||
Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
Die Fledermaus / Act 1: Nr.2 Terzett: "Nein, mit solchen Advokaten" | Johann Strauss II, Julia Varady, Ferry Gruber, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | D Major | 3 | 10B | 85 BPM |
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