Octet in E-Flat, Op. 20: II. Andante - Felix Mendelssohn, James Ehnes, Erin Keefe, Andrew Wan, Augustin Hadelich, Cynthia Phelps, Richard O'Neill, Robert DeMaine, Edward Arron, Vladimir Ashkenazy Information

Acousticness: 92%
Danceability: 24%
Energy: 4%
Instrumentalness: 8%
Liveness: 11%
Loudness: 56%
Speechiness: 5%
Valence: 12%
Popularity: 9%
Loudness: -26.455 dB

Summary

"Octet in E-Flat, Op. 20: II. Andante" by Felix Mendelssohn, James Ehnes, Erin Keefe, Andrew Wan, Augustin Hadelich, Cynthia Phelps, Richard O'Neill, Robert DeMaine, Edward Arron, Vladimir Ashkenazy was released on November 1, 2010. Since Octet in E-Flat, Op. 20: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, James Ehnes, Philharmonia Orchestra, Vladimir Ashkenazy's "Mendelssohn: Violin Concerto & Octet in E-Flat" album is number 5 out of 7. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Octet in E-Flat, Op. 20: II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Octet in E-Flat, Op. 20: II. Andante BPM

We consider the tempo marking of Octet in E-Flat, Op. 20: II. Andante by Felix Mendelssohn, James Ehnes, Erin Keefe, Andrew Wan, Augustin Hadelich, Cynthia Phelps, Richard O'Neill, Robert DeMaine, Edward Arron, Vladimir Ashkenazy to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Octet in E-Flat, Op. 20: II. Andante Key

F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
String Quintet No.2 in B Flat Major, Op.87, MWV R33: 1. Allegro vivace	Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Stephen Shingles, Anthony Jenkins, Denis Vigay	B♭ Major	1	6B	73 BPM
7 Fantasies, Op. 116: No. 1, Capriccio in D Minor	Johannes Brahms, Emanuel Ax	F Major	3	7B	156 BPM
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo	Johannes Brahms, Renaud Capuçon, Gautier Capuçon, Gustav Mahler Jugendorchester, Myung-Whun Chung	C Major	1	8B	90 BPM
String Quartet No. 2 in D Minor, JB 1:124: II. Allegro moderato - Andante cantabile	Bedřich Smetana, Pavel Haas Quartet	E Major	1	12B	149 BPM
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: I. Allegro molto ed appassionato	Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili	C Minor	1	5A	83 BPM
12 Monferrinas, Op. 49: III. Allegretto con espressione	Muzio Clementi, Howard Shelley	A♭ Major	0	4B	72 BPM
Concerto for Violin & Viola with Orchestra in E Minor, Op. 88: I. Andante con moto	Max Bruch, Yuri Bashmet, Neeme Järvi	E Minor	1	9A	90 BPM
Rondo, Op. 11, "Rondo Favori"	Johann Nepomuk Hummel, Elena Denisova	E Minor	1	9A	125 BPM
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": II. Allegro vivace	Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried	D Major	2	10B	86 BPM
String Quartet No. 2 in A Minor, Op. 13, MWV R22: II. Adagio non lento	Felix Mendelssohn, Emerson String Quartet	F Major	0	7B	93 BPM

ISRC: GBPCP1000146
Label: L-M Records/RCA Records

Section: 0.636361837387085

End: 0.6476767063140869