"Violin Concerto in G Major (completed by G. Rose): II. Adagio" by Johann Nepomuk Hummel, Alexander Trostianski, Russian Philharmonic Orchestra, Gregory Rose was released on August 1, 2005. The duration of Violin Concerto in G Major (completed by G. Rose): II. Adagio is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Violin Concerto in G Major (completed by G. Rose): II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Nepomuk Hummel's "Hummel: Concerto for Piano and Violin, Op. 17 / Violin Concerto" album is number 5 out of 6. In terms of popularity, Violin Concerto in G Major (completed by G. Rose): II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto in G Major (completed by G. Rose): II. Adagio by Johann Nepomuk Hummel, Alexander Trostianski, Russian Philharmonic Orchestra, Gregory Rose to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor for Violin, Piano and Strings. MWV D4: II. Adagio | Felix Mendelssohn, Gidon Kremer, Martha Argerich, Orpheus Chamber Orchestra | G Minor | 2 | 6A | 66 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 0 | 7B | 86 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Cypresses B.152: 2. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Minor | 1 | 4A | 89 BPM | ||
Berceuse in B-Flat Major, Op. 38 | Camille Saint-Saëns, Fanny Clamagirand, Vanya Cohen | E Major | 1 | 12B | 71 BPM | ||
Morceau de concerto in G Major, Op. 154: III. Molto allegro quasi presto | Camille Saint-Saëns, Margit-Anna Süß, Berliner Symphoniker, Hansjorg Schellenberger | A Major | 1 | 11B | 116 BPM | ||
Polonaise in E-Flat Major, B. 100 | Antonín Dvořák, Russian Philharmonic Orchestra, Dmitry Yablonsky | G Major | 1 | 9B | 174 BPM | ||
Ballet Suite No. 2 (arr. L. Atovmyan): Waltz (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Oleg Tokathev, Dmitry Yablonsky, Russian Philharmonic Orchestra | E♭ Major | 2 | 5B | 205 BPM | ||
Sonata No. 16 in E Major: II. Minuetto a Valtz: Allegro vivo | Niccolò Paganini, Moshe Hammer, Norbert Kraft | E Major | 1 | 12B | 107 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: I. Andante - Moderato | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Minor | 1 | 7A | 75 BPM |
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