"Wagner: Tannhäuser, Act 3: Prelude" by Richard Wagner, Daniel Barenboim, Staatskapelle Berlin was released on 1995. Since Wagner: Tannhäuser, Act 3: Prelude is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 54 out of 277 in Barenboim - Complete Wagner Operas by Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra, Staatskapelle Berlin, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Wagner: Tannhäuser, Act 3: Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wagner: Tannhäuser, Act 3: Prelude by Richard Wagner, Daniel Barenboim, Staatskapelle Berlin is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sylvia: Pizzicati | Léo Delibes, Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 0 | 5B | 120 BPM | ||
Parsifal, WWV 111 / Act 1: "Enthüllet den Gral!" - "Nehmet hin mein Blut" - Live | Richard Wagner, Martti Talvela, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Hans Knappertsbusch | D♭ Major | 2 | 3B | 79 BPM | ||
Polovtsian Dances from Prince Igor: VII. Presto | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
Liebestraum No. 3 in A-Flat Major, S. 541: Notturno III: O lieb, so lang du lieben kannst | Franz Liszt, Daniel Barenboim | A♭ Major | 0 | 4B | 139 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act 1 Scene 2: Nun sollt Ihr singen! | Richard Wagner, Maria Müller, Camilla Kallab, Max Lorenz, Jaro Prohaska, Josef Greindl, Benno Arnold, Helmut Fehn, Eugen Fuchs, Fritz Krenn, Gerhard Witting, Karl Krollmann, Herbert Gosebruch, Gustav Rödin, Franz Sauer, Alfred Dome, Erich Zimmermann, Erich Pina, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wilhelm Furtwängler | E Major | 2 | 12B | 85 BPM | ||
Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: I. Allegro, ma non troppo | Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra | A Minor | 2 | 8A | 103 BPM | ||
Nocturne No.4 In F, Op.15 No.1 | Frédéric Chopin, Daniel Barenboim | F Major | 0 | 7B | 73 BPM | ||
Wagner: Tannhäuser, Act 1: "Frau Holda kam aus dem Berg hervor" (Hirt) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Dorothea Röschmann, Staatskapelle Berlin | E Minor | 0 | 9A | 103 BPM |
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