"Liebestraum No. 3 in A-Flat Major, S. 541: Notturno III: O lieb, so lang du lieben kannst" by Franz Liszt, Daniel Barenboim was released on January 1, 1992. With this song being about 5 minutes long, at 4:35, "Liebestraum No. 3 in A-Flat Major, S. 541: Notturno III: O lieb, so lang du lieben kannst" by Franz Liszt, Daniel Barenboim is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt, Daniel Barenboim's "Liszt: Dreams of Love; Consolations; Sonnets of Petrarca; Rigoletto Paraphrase" album is number 9 out of 13. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Liebestraum No. 3 in A-Flat Major, S. 541: Notturno III: O lieb, so lang du lieben kannst's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Liebestraum No. 3 in A-Flat Major, S. 541: Notturno III: O lieb, so lang du lieben kannst by Franz Liszt, Daniel Barenboim to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La plus que lente, L. 121 | Claude Debussy, Daniel Barenboim | F♯ Major | 0 | 2B | 69 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Widmung | Robert Schumann, Franz Liszt, Evgeny Kissin | A♭ Major | 0 | 4B | 172 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Via Crucis, S53/R534: Station XIV: Jesus wird ins Grab gelegt | Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano | G Minor | 0 | 6A | 80 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Goldberg Variations, BWV 988: Aria da capo | Johann Sebastian Bach, Glenn Gould | G Major | 0 | 9B | 128 BPM | ||
Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Daniel Barenboim | G Major | 0 | 9B | 68 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM |
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