"Wagner: Tannhäuser, Act 1: "Frau Holda kam aus dem Berg hervor" (Hirt)" by Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Dorothea Röschmann, Staatskapelle Berlin was released on 1995. The duration of Wagner: Tannhäuser, Act 1: "Frau Holda kam aus dem Berg hervor" (Hirt) is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Wagner: Tannhäuser, Act 1: "Frau Holda kam aus dem Berg hervor" (Hirt)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 32 out of 277 in Barenboim - Complete Wagner Operas by Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra, Staatskapelle Berlin, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Wagner: Tannhäuser, Act 1: "Frau Holda kam aus dem Berg hervor" (Hirt) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wagner: Tannhäuser, Act 1: "Frau Holda kam aus dem Berg hervor" (Hirt) by Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Dorothea Röschmann, Staatskapelle Berlin is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Or vienmi ad adornar (Suzuki/Butterfly) | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 3 | 7B | 110 BPM | ||
Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 106 BPM | ||
Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
"Porgi amor" (Figaro / Act 2) - Live | Wolfgang Amadeus Mozart, Dorothea Röschmann, Wiener Philharmoniker, Nikolaus Harnoncourt | E♭ Major | 0 | 5B | 134 BPM | ||
Symphony No. 8, Zweiter Teil: X. Uns bleibt ein Erdenrest | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin, Lilli Paasikivi, Johan Botha | E♭ Major | 1 | 5B | 122 BPM | ||
Macbeth / Act II: Va', spirto d'abisso! | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Alfredo Mariotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | E Major | 2 | 12B | 127 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Lucia di Lammermoor / Act 2: "Dov'è Lucia?" | Gaetano Donizetti, Dame Joan Sutherland, Ryland Davies, Luciano Pavarotti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 3 | 10B | 108 BPM | ||
La Bohème / Act 1: "Si sente meglio?" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 124 BPM |
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