Jean-Philippe Rameau, Jean-François Paillard, Orchestre Jean-François Paillard made "Rameau : Les Indes galantes : Prologue "Bellone les entraîne" [Hébé] "L'Amour paraît armé?" [Hébé, L'Amour]" available on 1974. The duration of Rameau : Les Indes galantes : Prologue "Bellone les entraîne" [Hébé] "L'Amour paraît armé?" [Hébé, L'Amour] is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Rameau : Les Indes galantes : Prologue "Bellone les entraîne" [Hébé] "L'Amour paraît armé?" [Hébé, L'Amour]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 67 in the song's album "Rameau : Les Indes galantes". In this album, this song's track order is #8. Furthermore, we believe that the track originated from France. Rameau : Les Indes galantes : Prologue "Bellone les entraîne" [Hébé] "L'Amour paraît armé?" [Hébé, L'Amour] is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Rameau : Les Indes galantes : Prologue "Bellone les entraîne" [Hébé] "L'Amour paraît armé?" [Hébé, L'Amour] by Jean-Philippe Rameau, Jean-François Paillard, Orchestre Jean-François Paillard having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Siete Canciones Populares Españolas: VI. Nana - for alto and piano | Manuel de Falla, Tabea Zimmermann, Javier Perianes | C Major | 0 | 8B | 141 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder" | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
Scarlatti, D: Keyboard Sonata in F Minor, Kk. 466 | Domenico Scarlatti, Fazıl Say | E♭ Minor | 0 | 2A | 90 BPM |
Section: 0.6362028121948242
End: 0.6403121948242188