"Prelude et fugue sur le nom d'Alain, Op. 7: Prelude" by Maurice Duruflé, Kristian Krogsøe was released on September 1, 2012. Since Prelude et fugue sur le nom d'Alain, Op. 7: Prelude is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 26 in Durufle: Complete Organ Works, Motets, Requiem by Maurice Duruflé, Kristian Krogsøe, Carsten Seyer-Hansen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Prelude et fugue sur le nom d'Alain, Op. 7: Prelude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prelude et fugue sur le nom d'Alain, Op. 7: Prelude by Maurice Duruflé, Kristian Krogsøe is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adoramus Te, Christe | The Wartburg Choir, Dr. Lee Nelson | E Major | 0 | 12B | 131 BPM | ||
The Waves are Sleepy | St. Petersburg Optina Pustyn Male Choir | A♭ Major | 1 | 4B | 138 BPM | ||
Missa Prolationum: Kyrie I | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 133 BPM | ||
The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 124 BPM | ||
Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
Vasara (Summer) | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Minor | 1 | 8A | 137 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Choral Dances from 'Gloriana': Concord | Benjamin Britten, RIAS Kammerchor, Justin Doyle | E Minor | 1 | 9A | 95 BPM | ||
All-Night Vigil, Op. 37: II. Praise the Lord, O my soul | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Julia Scozzafava | C Major | 0 | 8B | 65 BPM | ||
Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM |
Section: 0.49529242515563965
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