"Missa Prolationum: Kyrie I" by Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry was released on 2019. With Missa Prolationum: Kyrie I being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich's "Missa Prolationum" album is number 1 out of 10. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Missa Prolationum: Kyrie I's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Prolationum: Kyrie I by Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vasara (Summer) | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Minor | 1 | 8A | 137 BPM | ||
Messe vidi turbam magnam: No. 1, Introït. Stratuit ei dominum | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Major | 0 | 10B | 126 BPM | ||
Missa Gloria tibi Trinitas: Sanctus | John Taverner, Christ Church Cathedral Choir, Oxford, Stephen Darlington | D Minor | 2 | 7A | 71 BPM | ||
Missa si Deus pro nobis, a 16 voci: I. Kyrie eleison | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 94 BPM | ||
Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) | Jordi Savall | D Minor | 0 | 7A | 89 BPM | ||
Quemadmodum | John Taverner, Owen Rees, Contrapunctus | C Minor | 1 | 5A | 76 BPM | ||
All-night Vigil, Op. 37, "Vespers": Magnificat: My soul proclaims the greatness of the Lord | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 0 | 6B | 70 BPM | ||
Vespers (All-Night Vigil), Op.37: 3. "Blazhen muzh" | Sergei Rachmaninoff, St.Petersburg Chamber Choir, Nikolai Korniev | F Major | 0 | 7B | 104 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Exultate Justi | Lodovico Grossi da Viadana, Voices of Ascension Chorus, Dennis Keene | A Major | 1 | 11B | 78 BPM |
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