"Verdi: La forza del destino, Act 3 Scene 4: "Solenne in quest'ora" (Alvaro, Carlo) - Sung in German, "In dieser feierlichen Stunde"" by Giuseppe Verdi, Richard Tauber was released on September 7, 2009. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Richard Tauber's "Icon: Richard Tauber" album is number 19 out of 110. The popularity of Verdi: La forza del destino, Act 3 Scene 4: "Solenne in quest'ora" (Alvaro, Carlo) - Sung in German, "In dieser feierlichen Stunde" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Verdi: La forza del destino, Act 3 Scene 4: "Solenne in quest'ora" (Alvaro, Carlo) - Sung in German, "In dieser feierlichen Stunde" by Giuseppe Verdi, Richard Tauber to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
Addio del passato : La Traviata | Giuseppe Verdi, Maria Callas | E Major | 4 | 12B | 73 BPM | ||
Tannhauser: Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 0 | 1B | 98 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Madame Butterfly: "Addio fiorito asil" | Mario del Monaco | D♭ Major | 4 | 3B | 88 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Pagliacci / Act 1: "Vesti la giubba" | Ruggero Leoncavallo, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | E Major | 3 | 12B | 116 BPM | ||
Rigoletto: Oper in 3 Akten · Querschnitt und große Szenen in deutscher Sprache (2001 - Remaster), Erster Teil: Querschnitt, Erster Akt: - Freundlich blick' ich auf diese und jene [Questa o quella per me pari sono] (Herzog) | Francesco Maria Piave, Giuseppe Verdi, Hermann Lüddecke/Männerchor Der Deutschen Oper Berlin/Berliner Symphoniker/Rudolf Schock/Wilhelm Schüchter, Hermann Luddecke, Hermann Lüeddecke, Werner Schmidt-Boelcke, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker | A♭ Major | 3 | 4B | 72 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 0 | 8B | 101 BPM |
Section: 0.6217551231384277
End: 0.6254606246948242