"Carmen · Oper in 4 Akten (deutsch gesungen), Zweiter Akt: Nr.12 Was ist Zigeuners höchste Lust? (Carmen, Frasquita, Mercédès)" by Georges Bizet, Rudolf Schock, Horst Stein, Berliner Symphoniker was released on March 11, 2013. With this song being about 5 minutes long, at 4:48, "Carmen · Oper in 4 Akten (deutsch gesungen), Zweiter Akt: Nr.12 Was ist Zigeuners höchste Lust? (Carmen, Frasquita, Mercédès)" by Georges Bizet, Rudolf Schock, Horst Stein, Berliner Symphoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 45 in Bizet: CARMEN (sung in German) by Georges Bizet, Christa Ludwig. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Carmen · Oper in 4 Akten (deutsch gesungen), Zweiter Akt: Nr.12 Was ist Zigeuners höchste Lust? (Carmen, Frasquita, Mercédès)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Carmen · Oper in 4 Akten (deutsch gesungen), Zweiter Akt: Nr.12 Was ist Zigeuners höchste Lust? (Carmen, Frasquita, Mercédès) by Georges Bizet, Rudolf Schock, Horst Stein, Berliner Symphoniker is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Requiem In D Minor, K. 626: Sanctus | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Major | 3 | 10B | 82 BPM | ||
Carmen, Act III, No.20 Trio: Mêlons! Coupons! (Frasquita/Mercédès) | Georges Bizet, Elisabeth Vidal, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Major | 1 | 7B | 120 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Farandole | Georges Bizet, Arthur Fiedler, Boston Pops Orchestra | D Major | 6 | 10B | 101 BPM |
Section: 0.7812471389770508
End: 0.7863955497741699