Street Scene, Act I: What Good Would The Moon Be? (arr. P. Mayers) - Kurt Weill, Philip Mayers, Mary Carewe Information

Acousticness: 97%
Danceability: 38%
Energy: 5%
Instrumentalness: 0%
Liveness: 5%
Loudness: 68%
Speechiness: 5%
Valence: 10%
Popularity: 8%
Loudness: -19.111 dB

Summary

"Street Scene, Act I: What Good Would The Moon Be? (arr. P. Mayers)" by Kurt Weill, Philip Mayers, Mary Carewe was released on April 3, 2012. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Serious Cabaret". In this album, this song's track order is #2. In terms of popularity, Street Scene, Act I: What Good Would The Moon Be? (arr. P. Mayers) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Street Scene, Act I: What Good Would The Moon Be? (arr. P. Mayers) BPM

With Street Scene, Act I: What Good Would The Moon Be? (arr. P. Mayers) by Kurt Weill, Philip Mayers, Mary Carewe having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Street Scene, Act I: What Good Would The Moon Be? (arr. P. Mayers) Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Prologue: Chorus of Exiled Palestinians	John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus	F Minor	0	4A	90 BPM
Winterreise, Op. 89, D. 911: No. 24, Der Leiermann	Franz Schubert, Dietrich Fischer-Dieskau, Klaus Billing	E Minor	0	9A	74 BPM
Die Dreigroschenoper: Kanonen-Song	Kurt Weill, Wolfgang Reichmann, Rias-Sinfonietta Berlin, John Mauceri	D♭ Minor	3	12A	96 BPM
Orphée et Eurydice: J'ai perdu mon Eurydice	Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise	C Major	2	8B	71 BPM
The Rag-Time Dance - 1986 Remastered Version	Scott Joplin, Itzhak Perlman	E♭ Major	4	5B	101 BPM
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante	Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn	F Major	0	7B	122 BPM
Vier letzte Lieder, TrV 296: 4. Im Abendrot	Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur	B♭ Major	1	6B	78 BPM
The Boulevardier	Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper	B♭ Major	1	6B	98 BPM
Kanonensong (1.Akt) (In der Erinnerung an ihre gem	Bertolt Brecht, Kurt Weill	D♭ Minor	3	12A	100 BPM
Lohengrin, WWV 75: Prelude To Act I	Richard Wagner, Berliner Philharmoniker, Rafael Kubelík	B Major	1	1B	81 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6334185600280762

End: 0.6375255584716797