Kurt Weill, Wolfgang Reichmann, Rias-Sinfonietta Berlin, John Mauceri made "Die Dreigroschenoper: Kanonen-Song" available on January 1, 1988. The duration of Die Dreigroschenoper: Kanonen-Song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Die Dreigroschenoper: Kanonen-Song's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: The Threepenny Opera by Kurt Weill, René Kollo, Mario Adorf, Helga Dernesch, Ute Lemper, Milva, Wolfgang Reichmann, Susanne Tremper, Rolf Boysen, Rias-Sinfonietta Berlin, John Mauceri. The song's track number on the album is #7 out of 27 tracks. In terms of popularity, Die Dreigroschenoper: Kanonen-Song is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Die Dreigroschenoper: Kanonen-Song by Kurt Weill, Wolfgang Reichmann, Rias-Sinfonietta Berlin, John Mauceri has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Dreigroschenoper: Kanonen-Song being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Auf auf zum Kampf | Oktoberklub | E Major | 6 | 12B | 134 BPM | ||
Wölfe mitten im Mai | Franz Josef Degenhardt | D Minor | 1 | 7A | 135 BPM | ||
Hannelore | Claire Waldoff | A♭ Major | 3 | 4B | 134 BPM | ||
Davon geht die Welt nicht unter - From "Inglourious Basterds" | Zarah Leander | D Major | 3 | 10B | 178 BPM | ||
Schubert: Die Forelle, Op. 32, D. 550 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | B♭ Major | 1 | 6B | 86 BPM | ||
Die lustige Witwe: Da geh' ich zu Maxim | Franz Lehár, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | D Major | 1 | 10B | 87 BPM | ||
Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Erster Akt: Introduktion (Reiseführer) | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchner Rundfunkorchester, Munich Radio Orchestra | B♭ Major | 4 | 6B | 96 BPM | ||
Wien, Du stadt meiner Träume (Wien, Wien, nur du allein) | Rudolf Sieczynski, Jonas Kaufmann, Ádám Fischer | G Major | 2 | 9B | 133 BPM | ||
Anstatt-Dass-Song (1.Akt) (Polly Peachum ist nicht | Bertolt Brecht, Kurt Weill | B♭ Major | 2 | 6B | 108 BPM | ||
Erst trink' mit mir ein bisschen Alkohol | Paul Godwin, Jazz-Symphoniker | F Major | 6 | 7B | 126 BPM |
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