"Piano Sonata, Op. 1" by Alban Berg, Glenn Gould was released on 1959. Piano Sonata, Op. 1 appears to be safe for all ages as it is not explicit. The track order of this song in Glenn Gould's "Glenn Gould Plays Sonatas, Fantasies & Variations" album is number 1 out of 55. Based on our statistics, Piano Sonata, Op. 1's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Sonata, Op. 1 by Alban Berg, Glenn Gould to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dutilleux: Cello Concerto, Tout un monde lointain: III. Houles (Large et ample) | Henri Dutilleux, Mstislav Rostropovich, Serge Baudo, Orchestre de Paris | D Major | 2 | 10B | 121 BPM | ||
Piano Concerto, FP 146: 2. Andante con moto | Francis Poulenc, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 0 | 5B | 81 BPM | ||
Britten: Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue | Benjamin Britten, Ian Bostridge | C Major | 0 | 8B | 69 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: IV. Allegro con brio | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Nocturnes, L.91: II. Fêtes | Claude Debussy, Cleveland Orchestra, Pierre Boulez | D♭ Major | 1 | 3B | 72 BPM | ||
Requiem Canticles: Libera me | Igor Stravinsky, Sally Burgess, Roderick Williams, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft | G Minor | 1 | 6A | 65 BPM | ||
Berg: Seven Early Songs: Traumgekrönt | Alban Berg, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 79 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Fontane di Roma (The Fountains of Rome): II. La fontana del Tritone mattino | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 96 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM |
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