"Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 19, Symphonic Entr'acte "Sleep"" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on January 1, 1974. Since Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 19, Symphonic Entr'acte "Sleep" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. The popularity of Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 19, Symphonic Entr'acte "Sleep" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 19, Symphonic Entr'acte "Sleep" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paquita: Variation 9: Allegro moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 0 | 10B | 79 BPM | ||
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Tempo I | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | C Minor | 1 | 5A | 78 BPM | ||
Coppelia: Act II - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 114 BPM | ||
La Bayadere, Act III: 45. "Variation - 2nd Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | G Major | 0 | 9B | 175 BPM | ||
Monn: Cello Concerto in G Minor: II. Adagio | Georg Matthias Monn, Sir John Barbirolli, Valda Aveling, London Symphony Orchestra | E♭ Major | 1 | 5B | 141 BPM | ||
The Gadfly, Op97: 14. Galop | Dmitri Shostakovich, Philadelphia Orchestra, Riccardo Chailly | G Major | 2 | 9B | 82 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 5, Introduction. Scene | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 3 | 12B | 149 BPM | ||
La Bayadere, Act II: 25. "Gamzatti's Friends" | Evergreen Symphony Orchestra, Kevin Galiè | E Major | 0 | 12B | 72 BPM | ||
Palladio: 1. Allegretto (arr. for Strings Orchestra) | Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra | D Minor | 3 | 7A | 90 BPM |
Section: 0.6980514526367188
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