"Admeto, HWV 22: Act III - "Io ti bacio"" by Simone Kermes was released on March 13, 2009. The duration of Admeto, HWV 22: Act III - "Io ti bacio" is about 3 minutes long, at 3:15. Based on our data, "Admeto, HWV 22: Act III - "Io ti bacio"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Simone Kermes's "Händel: Arias for Cuzzoni (La Diva)" album is number 14 out of 14. In terms of popularity, Admeto, HWV 22: Act III - "Io ti bacio" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Admeto, HWV 22: Act III - "Io ti bacio" by Simone Kermes to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cajo Fabricio, Act II, Scene 11: Se tu non senti, oh Dio | Johann Adolf Hasse, Simone Kermes, Amici Veneziani | D Major | 2 | 10B | 127 BPM | ||
San Nicola di Bari: M'incateni e se mi sciogli | Giovanni Bononcini, Simone Kermes, Amici Veneziani | B♭ Major | 1 | 6B | 79 BPM | ||
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
L'infedeltà delusa, Hob. XXVIII:5, Act I: Bella sera | Franz Joseph Haydn, Simone Kermes, Andreas Scheidegger, Jürgen Sacher, Iván Paley, WDR Rundfunkorchester Köln, Markus Poschner | F Major | 0 | 7B | 169 BPM | ||
Chi non sente | Riccardo Broschi, Simone Kermes, Claudio Osele | D Major | 1 | 10B | 186 BPM | ||
Dopo l'oscuro nembo (Arie der Nelly) - from "Adelson e Salvini" | Vincenzo Bellini, Simone Kermes, Christoph M. Mueller, Christoph-Mathias Mueller, Concerto Köln | D Major | 0 | 10B | 82 BPM | ||
L'Eraclea: Dopo i nembi e le procelle | Tomaso Albinoni, Simone Kermes, Amici Veneziani | D Minor | 1 | 7A | 137 BPM | ||
Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
Song of the Maid-Servant -Canción de la Criada | Hans-Erik Philip, Simone Kermes, Béla Drahos | A♭ Major | 2 | 4B | 134 BPM |
Section: 0.7111866474151611
End: 0.7159125804901123