"L'infedeltà delusa, Hob. XXVIII:5, Act I: Bella sera" by Franz Joseph Haydn, Simone Kermes, Andreas Scheidegger, Jürgen Sacher, Iván Paley, WDR Rundfunkorchester Köln, Markus Poschner was released on January 1, 2016. Since L'infedeltà delusa, Hob. XXVIII:5, Act I: Bella sera is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Simone Kermes, Rainer Trost, Chen Reiss, Paul Armin Edelmann, Wolfgang Holzmair, Iván Paley, WDR Rundfunkorchester Köln, Markus Poschner, Manuel Hernandez Silva's "Haydn: Opera Gala" album is number 2 out of 26. On top of that, Germany appears to be the country where this track was created. The popularity of L'infedeltà delusa, Hob. XXVIII:5, Act I: Bella sera is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'infedeltà delusa, Hob. XXVIII:5, Act I: Bella sera by Franz Joseph Haydn, Simone Kermes, Andreas Scheidegger, Jürgen Sacher, Iván Paley, WDR Rundfunkorchester Köln, Markus Poschner to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: III. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 157 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
String Quartet No. 4 in C Minor, Op. 18, No. 4: IV. Allegro | Ludwig van Beethoven, Kodály Quartet | A♭ Major | 2 | 4B | 133 BPM | ||
Sonata No. 15 in C Major, III. Rondo | Maria João Pires | C Major | 2 | 8B | 98 BPM | ||
Sinfonia Concertante in B-Flat Major, Hob.I:105: II. Andante | Joseph Haydn, Andrius Puskunigis, Michael Kaulartz, Woitek Garbowski, Pirkko Langer, Heidelberg Symphony Orchestra, Thomas Fey | F Major | 0 | 7B | 136 BPM | ||
Oboe Concerto No. 1 in D Minor: I. Allegro | Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend | D Minor | 1 | 7A | 134 BPM | ||
Lieder ohne Worte, Op.38: No. 2. Allegro non troppo In C Minor, MWV U 115 - "Lost Happiness" | Felix Mendelssohn, Daniel Barenboim | C Minor | 1 | 5A | 92 BPM | ||
Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Major | 0 | 12B | 78 BPM |
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