Johann Adolf Hasse, Simone Kermes, Amici Veneziani's 'Cajo Fabricio, Act II, Scene 11: Se tu non senti, oh Dio' came out on February 7, 2020. Since Cajo Fabricio, Act II, Scene 11: Se tu non senti, oh Dio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Simone Kermes's "Inferno e Paradiso" album is number 13 out of 14. Based on our statistics, Cajo Fabricio, Act II, Scene 11: Se tu non senti, oh Dio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cajo Fabricio, Act II, Scene 11: Se tu non senti, oh Dio by Johann Adolf Hasse, Simone Kermes, Amici Veneziani to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Télémaque & Calypso, Prologue Scene 1: Descendez, régnez sur la terre (Les vertus, les muses et les arts) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de Versailles | F Minor | 3 | 4A | 85 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
In convertendo Dominus | Sébastien de Brossard, Ensemble Baroque De Limoges, Christophe Coin | A Major | 2 | 11B | 151 BPM | ||
Stabat Mater: I. Stabat Mater dolorosa | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | D♭ Major | 1 | 3B | 126 BPM | ||
Mandolin Concerto in G Major, Op. 3 No. 11: III. Allegro | Johann Adolf Hasse, Anna Torge, Mayumi Hirasaki, Tokio Takeuchi, Johannes Loescher, Michael Freimuth | F♯ Major | 2 | 2B | 114 BPM | ||
Dido and Aeneas, Z. 626: Act III: Dido: Thy hand, Belinda; darkness shades me | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | G Major | 0 | 9B | 179 BPM | ||
Te Deum: V. Tu rex gloriae Christe | Giovanni Bononcini, Owen Rees, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Violin Concerto in D Major, FWV L:D4a: Violin Concerto in D Major, FWV L:D4a: I. Allegro | Johann Friedrich Fasch, Johannes Pramsohler, Darmstädter Barocksolisten | D Major | 3 | 10B | 103 BPM | ||
Hasse: Demofoonte, Sinfonia: I. Allegro | Johann Adolf Hasse, Julien Chauvin, Le Concert de la Loge | D♭ Major | 2 | 3B | 136 BPM |
Section: 0.650801420211792
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