Jussi Björling made "Uti en skog på berget Ida" available on September 21, 2010. The duration of Uti en skog på berget Ida is about 3 minutes long, at 3:22. Based on our data, "Uti en skog på berget Ida" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 60 out of 73 in Essential Classical Masters (1930-1959) by Jussi Björling. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Uti en skog på berget Ida is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Uti en skog på berget Ida by Jussi Björling is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: La Forza del Destino: La Vergine degli Angeli | Renata Tebaldi | G Major | 2 | 9B | 130 BPM | ||
The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
Meyerbeer: L'Africaine, Act 4 Scene 2: No. 15, Recitativo ed Aria, "Mi batte il cor … O paradiso" (Vasco) | Giacomo Meyerbeer, Jussi Björling, Orchestra, Nils Grevillius, Unidentified Orchestra | D♭ Major | 2 | 3B | 129 BPM | ||
Caro mio ben (Arr. Marriner) | Tomasso Giordani, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 96 BPM | ||
Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
Louise / Act 3: "Depuis le jour" | Gustave Charpentier, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 89 BPM | ||
Sverige | Wilhelm Stenhammar, Verner von Heidenstam, The Real Group | F♯ Major | 1 | 2B | 101 BPM | ||
Parlami d'amore, Mariu (orch. L. Logi) | Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 67 BPM | ||
Don Giovanni, K. 527, Act I: Finch'han dal vino, "Champagne Aria" | Wolfgang Amadeus Mozart, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | F Major | 4 | 7B | 129 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Dalla sua pace" (Don Ottavio) | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Hans Peter Blochwitz, Royal Concertgebouw Orchestra | F Major | 1 | 7B | 114 BPM |
Section: 0.6036238670349121
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