"Daphnis et Chloé, Part I: Tous invitent Daphnis...Danse de Lyceion..." by Simon Halsey, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, CBSO Chorus was released on 1992. The duration of Daphnis et Chloé, Part I: Tous invitent Daphnis...Danse de Lyceion... is about 3 minutes long, at 3:29. Based on our data, "Daphnis et Chloé, Part I: Tous invitent Daphnis...Danse de Lyceion..." appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Ravel: Daphnis et Chloé - Boléro". In this album, this song's track order is #5. Daphnis et Chloé, Part I: Tous invitent Daphnis...Danse de Lyceion... is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Daphnis et Chloé, Part I: Tous invitent Daphnis...Danse de Lyceion... by Simon Halsey, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, CBSO Chorus having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Großer Gott, wir loben dich - EG 331 - Arranged By Hans-Georg Spiegel | Traditional, Rundfunkchor Berlin, Jörg Strodthoff, Simon Halsey | F Major | 2 | 7B | 71 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Es ist nun aus mit meinem Leben | Johann Christoph Bach, Julia Doyle, Katherine Fuge, Clare Wilkinson, Nicholas Mulroy, James Gilchrist, Jeremy Budd, Matthew Brook, Peter Harvey, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 170 BPM | ||
Liturgy of St. John Chrysostom for Chorus, Op. 31: I. "The Great Ektenia..." | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | E Minor | 1 | 9A | 91 BPM | ||
The Peacemakers: III. Peace, Peace! | Karl Jenkins, London Symphony Orchestra, City of Birmingham Symphony Youth Chorus, Simon Halsey, Rundfunkchor Berlin, Laurence Cottle | D Minor | 2 | 7A | 87 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | ||
The duteous day now closes | German Psalter, Goss, CBSO Wind Ensemble, Simon Halsey | G Major | 1 | 9B | 173 BPM | ||
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Mikhail Rudy, Mariss Jansons, London Philharmonic Orchestra | C Major | 1 | 8B | 68 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM |
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