Ludwig Minkus, English Chamber Orchestra, Richard Bonynge made "La Bayadère / Act 2: No.35 Allegro moderato (No.10) (original Pavlova material)" available on January 1, 1994. With La Bayadère / Act 2: No.35 Allegro moderato (No.10) (original Pavlova material) being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ludwig Minkus, English Chamber Orchestra, Richard Bonynge's "Minkus-Lanchbery: La Bayadère" album is number 8 out of 42. Based on our statistics, La Bayadère / Act 2: No.35 Allegro moderato (No.10) (original Pavlova material)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Bayadère / Act 2: No.35 Allegro moderato (No.10) (original Pavlova material) by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act II: Coda (Minkus) | Mariinsky Orchestra | D Major | 7 | 10B | 91 BPM | ||
Act II: Entree Of Kitri & Basil (Minkus) | Mariinsky Orchestra | G Major | 4 | 9B | 121 BPM | ||
Die Puppenfee (The Fairy Doll): No. 8 Chinesin: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 92 BPM | ||
Knall und Fall, Polka schnell, Op. 132 | Eduard Strauss, Andris Nelsons, Wiener Philharmoniker | G Major | 6 | 9B | 179 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Tempo di valse: Men's Variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 88 BPM | ||
Etudes: XIV. Broad leaps | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Major | 4 | 11B | 143 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Torero | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | F Major | 3 | 7B | 97 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 6 | 11B | 91 BPM | ||
Soirees musicales, Op. 9: V. Tarantella | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 2 | 6B | 80 BPM | ||
Act I: Variation Of Basil & Friends (Minkus) | Mariinsky Orchestra | D Major | 4 | 10B | 149 BPM |
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