Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar's ' "Carmen Suite: VIII. Bolero (after G. Bizet): Torero" was released on its scheduled release date, October 7, 1994. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Shchedrin: Carmen Suite / Concerto for Orchestra". In this album, this song's track order is #9. In terms of popularity, Carmen Suite: VIII. Bolero (after G. Bizet): Torero is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Carmen Suite: VIII. Bolero (after G. Bizet): Torero by Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
Piano Quintet In A Major, Op. 114, D 667 - "The Trout": 4. Thema - Andantino - Variazioni I-V - Allegretto | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee, Maximilian Hornung, Roman Patkoló | D Major | 1 | 10B | 84 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | ||
On the Dnieper Suite, Op. 51bis: III. The Betrothal | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 1 | 10B | 128 BPM | ||
Mazeppa, Act I: Gopak | Pyotr Ilyich Tchaikovsky, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 2 | 9B | 141 BPM | ||
La Bayadere: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 78 BPM | ||
La Damnation de Faust, Op. 24, H 111 / Pt. 1: Marche hongroise | Hector Berlioz, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 2 | 11B | 93 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
Raymonda, Act III: Pas Classique Hongrois | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Minor | 0 | 4A | 139 BPM |