Nicol Matt, Martina Rotbauer, Robert Sagasser, Heike Hümmer, Jens Wollenschläger, Ute Petersilge, Johann Sebastian Bach, Jörg Halobek, Soloists Of The Freiburger Barockorchester, Nordic Chamber Choir's 'Das Alte Jahr Vergangen Ist Bwv 288' came out on March 28, 2007. With Das Alte Jahr Vergangen Ist Bwv 288 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 26 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Das Alte Jahr Vergangen Ist Bwv 288 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Das Alte Jahr Vergangen Ist Bwv 288 by Nicol Matt, Martina Rotbauer, Robert Sagasser, Heike Hümmer, Jens Wollenschläger, Ute Petersilge, Johann Sebastian Bach, Jörg Halobek, Soloists Of The Freiburger Barockorchester, Nordic Chamber Choir is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat, Wq. 215: Magnificat, Wq. 215: 1. Chor. Magnificat anima mea Dominum | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 135 BPM | ||
20. Coro: Ihr Augen weint | Georg Anton Kreusser, Domkantorei St. Martin, Karsten Storck, Mainzer Domorchester | C Major | 1 | 8B | 130 BPM | ||
Weint nicht um meinem Tod | Johann Bach, Henri Ledroit, Ricercar Consort | D♭ Major | 3 | 3B | 114 BPM | ||
La De Belombre, Vivement | Jacques Duphly, Elisabeth Joyé | C Minor | 4 | 5A | 113 BPM | ||
Missa S. Marcellini: XVIII. Judicare vivos et mortuos - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 86 BPM | ||
Missa Popularis: II. Gloria | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 2 | 7B | 129 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Missa Quadragesimalis, MH 552: Dona nobis pacem | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 2 | 12B | 129 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM |
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