"Messager: The Two Pigeons, Act 2, Scene 1: Finale" by André Messager, Bournemouth Symphony Orchestra, John Lanchbery was released on January 1, 1984. The duration of Messager: The Two Pigeons, Act 2, Scene 1: Finale is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Messager: The Two Pigeons, Act 2, Scene 1: Finale's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in André Messager, Bournemouth Symphony Orchestra, John Lanchbery's "Messager: Les deux pigeons" album is number 21 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Messager: The Two Pigeons, Act 2, Scene 1: Finale's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messager: The Two Pigeons, Act 2, Scene 1: Finale by André Messager, Bournemouth Symphony Orchestra, John Lanchbery to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 123 BPM | ||
Coppelia Ballet Suite: Notturno | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 80 BPM | ||
Symphonie No. 1 en Ré Majeur, Op. 25 "Classique": III. Gavotta, Non troppo allegro | Sergei Prokofiev, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 0 | 10B | 127 BPM | ||
L'amour masqué: J'ai deux amants | André Messager, Véronique Gens, I Giardini | B♭ Major | 1 | 6B | 101 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VII. Mélisande At The Spinning Wheel | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 140 BPM | ||
Suite pastorale: IV. Scherzo-Valse | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 161 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM |
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