"Concerto For Violin: "Summer", Op 8, No 2, II. Adagio" by Musici Di San Lorenzo was released on January 1, 1997. The duration of Concerto For Violin: "Summer", Op 8, No 2, II. Adagio is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Concerto For Violin: "Summer", Op 8, No 2, II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi Tunes by Musici Di San Lorenzo. The song's track number on the album is #5 out of 19 tracks. The popularity of Concerto For Violin: "Summer", Op 8, No 2, II. Adagio is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto For Violin: "Summer", Op 8, No 2, II. Adagio by Musici Di San Lorenzo has a tempo of 164 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Concerto For Violin: "Summer", Op 8, No 2, II. Adagio being at 164 BPM, the half-time would be 82 BPM with a double-time of 328 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio Allegro Molto | Orquesta Filarmónica de Viena | E Minor | 2 | 9A | 115 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM | ||
Cello Concerto in B-Flat Major, G. 482: I. Allegro moderato | Luigi Boccherini, Raphael Wallfisch, Northern Chamber Orchestra, Nicholas Ward | B♭ Major | 1 | 6B | 125 BPM | ||
Violin Concerto No. 11 in D Major, Op. 23: III. Rondo allegretto | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | D Major | 3 | 10B | 121 BPM | ||
Novacek: 8 Concert Caprices for Violin and Piano, Op. 5: IV. Perpetuum mobile in D Minor (Vivace non troppo) | Ottokar Novácek, Itzhak Perlman, Samuel Sanders | D Minor | 4 | 7A | 179 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Salut d'amour, Op. 12, "Liebesgruss" (version for violin and piano) | Edward Elgar, Elissa Lee Koljonen, Robert Koenig | E Major | 1 | 12B | 142 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Gunther Korner, Bamberg Philharmonic Orchestra, Werner Radke | E♭ Major | 0 | 5B | 75 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 124 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM |
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