"Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante" by Pyotr Ilyich Tchaikovsky, Gunther Korner, Bamberg Philharmonic Orchestra, Werner Radke was released on January 4, 2019. Since Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 11 in Best of Tchaikovsky by Pyotr Ilyich Tchaikovsky, European New Philharmonic Orchestra, Volker Hartung, Klaus-Peter Hahn, Ferenc Fricsay, Denise Cloutier, Werner Radke. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante by Pyotr Ilyich Tchaikovsky, Gunther Korner, Bamberg Philharmonic Orchestra, Werner Radke is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Waltz No. 1 in G-Flat Major, Op. 70 | Frédéric Chopin, Peter Schmalfuss | C Minor | 2 | 5A | 99 BPM | ||
Symphony No. 3 in D Major, Op. 29, "Polish": II. Allegro moderato e semplice | Pyotr Ilyich Tchaikovsky, Gürzenich Orchester Köln, Dmitri Kitayenko | G Minor | 0 | 6A | 120 BPM | ||
Sangen, Symphonic Cantata, Op. 44: 1. Interlude. Molto adagio, solenne | Wilhelm Stenhammar, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 79 BPM | ||
Suite from "The Gadfly", Op. 97a: VIII. Romance | Ivan Peev, Sofia Symphony Orchestra | D♭ Major | 1 | 3B | 106 BPM | ||
Valse-Scherzo, Op. 34, TH 58 for violin and orchestra | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | B Major | 1 | 1B | 185 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Violin Concerto No.1 in A minor, BWV 1041: 2. Andante | Johann Sebastian Bach, Jaap Schröder, Academy of Ancient Music, Christopher Hogwood | B Major | 0 | 1B | 73 BPM | ||
Ne zazhigy ognya !, Op. 38, No. 3 | Anton Arensky, Mischa Maisky, Pavel Gililov | F Major | 0 | 7B | 93 BPM |
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