"Suite from "The Gadfly", Op. 97a: VIII. Romance" by Ivan Peev, Sofia Symphony Orchestra was released on March 15, 2011. Since Suite from "The Gadfly", Op. 97a: VIII. Romance is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 29 in Classical: Love by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Suite from "The Gadfly", Op. 97a: VIII. Romance is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite from "The Gadfly", Op. 97a: VIII. Romance by Ivan Peev, Sofia Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalise, Op. 34,14 (Bearb. For Violoncello and Piano): Lentamente | Sergei Rachmaninoff, Markus Stockler, Viktor Yampolsky | E Major | 1 | 12B | 163 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando | London Symphony Orchestra, Josef Krips | D Major | 2 | 10B | 114 BPM | ||
Symphony No 3 op. 36 Lento e largo - Tranquilissimo | Henryk Górecki, Baden-Baden Symphony Orchestra, Teresa Erb, Werner Stiefel | B♭ Minor | 0 | 3A | 66 BPM | ||
Bruch: Adagio appassionato, Op. 57 | Max Bruch, Chloë Hanslip, Paul Mann, London Symphony Orchestra | F Minor | 1 | 4A | 91 BPM | ||
Johann Sebastian Bach: Praeludium I C-Dur BWV 846 | Květa Novotná | C Major | 1 | 8B | 103 BPM | ||
Prelude für Klavier in E Minor, Op. 28, Nr. 4 | Sylvia Capova | A Minor | 0 | 8A | 126 BPM | ||
Symphony No. 9 in E Minor (New World Symphony), Op. 95, B. 178: III. Scherzo: Molto vivace | Berliner Symphoniker Orchestra | E Major | 1 | 12B | 130 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Evgeny Kissin, Sir Colin Davis, London Symphony Orchestra | B Major | 0 | 1B | 75 BPM |
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