"Bruch: Adagio appassionato, Op. 57" by Max Bruch, Chloë Hanslip, Paul Mann, London Symphony Orchestra was released on September 1, 2000. Bruch: Adagio appassionato, Op. 57 appears to be safe for all ages as it is not explicit. The song is number 6 out of 11 in Chloe by Chloë Hanslip, Paul Mann. In terms of popularity, Bruch: Adagio appassionato, Op. 57 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bruch: Adagio appassionato, Op. 57 by Max Bruch, Chloë Hanslip, Paul Mann, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony, Op. 21: II. Variationen | Anton Webern, Pierre Boulez, London Symphony Orchestra | C Minor | 0 | 5A | 95 BPM | ||
Fauré: Élégie in C Minor, Op. 24 | Gabriel Fauré, Han-Na Chang, London Symphony Orchestra, Mstislav Rostropovich | A♭ Major | 0 | 4B | 173 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
Klid (Silent woods) for Cello and Orchestra, Op. 68, No. 5 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa | D♭ Major | 0 | 3B | 92 BPM | ||
Rachmaninov: Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Alexander Kniazev | A Minor | 0 | 8A | 91 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
Legende, Op.17: Andante - Allegro moderato - Tempo I | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | G Minor | 1 | 6A | 75 BPM | ||
Prelude a l'apres-midi d'un faune, L. 86 | Claude Debussy, Valery Gergiev, London Symphony Orchestra | D♭ Major | 0 | 3B | 77 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM |
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