"Requiem: IIIa-b. Domine Jesu Christe – Hostias" by Giuseppe Verdi, Anna Tomowa-Sintow, Agnes Baltsa, José Carreras, José van Dam, Wiener Philharmoniker, Herbert von Karajan was released on April 6, 2024. Requiem: IIIa-b. Domine Jesu Christe – Hostias appears to be safe for all ages as it is not explicit. The song is number 11 out of 68 in Dies irae by Giuseppe Verdi. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Requiem: IIIa-b. Domine Jesu Christe – Hostias is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem: IIIa-b. Domine Jesu Christe – Hostias by Giuseppe Verdi, Anna Tomowa-Sintow, Agnes Baltsa, José Carreras, José van Dam, Wiener Philharmoniker, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Verdi: Messa da Requiem: V. Liber scriptus - Dies irae | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano | G Minor | 1 | 6A | 86 BPM | ||
Nabucco / Act 1: Come notte a sol fulgente | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | G Major | 4 | 9B | 122 BPM | ||
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Tannhäuser, WWV 70 - Paris version / Act 3: "Beglückt darf nun dich, o Heimat" (Pilgrims Chorus) | Richard Wagner, Helga Dernesch, Victor Braun, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 1 | 5B | 80 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM |
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