"Sinfonietta No. 1: I. Allegro molto" by Krzysztof Penderecki, Jakub Haufa, Artur Paciorkiewicz, Jerzy Klocek, Sinfonia Varsovia was released on October 1, 2014. Since Sinfonietta No. 1: I. Allegro molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Penderecki: Music for Chamber Orchestra". In this album, this song's track order is #11. Sinfonietta No. 1: I. Allegro molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sinfonietta No. 1: I. Allegro molto by Krzysztof Penderecki, Jakub Haufa, Artur Paciorkiewicz, Jerzy Klocek, Sinfonia Varsovia having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
6 Encores for Piano (1965): No. 3, Wasserklavier | Luciano Berio, Marino Formenti | D♭ Major | 0 | 3B | 75 BPM | ||
Miniature No. 7 | Giya Kancheli, Andrea Cortesi, Marco Venturi | F♯ Minor | 0 | 11A | 78 BPM | ||
Piano Concerto, "Resurrection": Grave - (Revised 2007 Version) | Krzysztof Penderecki, Barry Douglas, Warsaw Philharmonic Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 82 BPM | ||
In a Landscape | John Cage, Alexei Lubimov | B♭ Major | 0 | 6B | 69 BPM | ||
Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Marina Tarasova, Musica Viva Chamber Orchestra, Alexander Rudin | B♭ Major | 1 | 6B | 91 BPM | ||
Sonata No. 2 per violino e pianoforte: 1. Larghetto | Krzysztof Penderecki, Anne-Sophie Mutter, Lambert Orkis | D♭ Major | 0 | 3B | 126 BPM | ||
Peer Gynt Suite No.1 op. 46 Death of Aase (Andante doloroso) | Academy of St. Martin in the Fields | G Major | 0 | 9B | 109 BPM | ||
Une barque sur l'océan: Très souple de rythme | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | A Major | 0 | 11B | 79 BPM |
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