"Piano Concerto, "Resurrection": Grave - (Revised 2007 Version)" by Krzysztof Penderecki, Barry Douglas, Warsaw Philharmonic Orchestra, Antoni Wit was released on March 5, 2013. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Penderecki: Piano Concerto, "Resurrection" - Flute Concerto". In this album, this song's track order is #6. Piano Concerto, "Resurrection": Grave - (Revised 2007 Version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto, "Resurrection": Grave - (Revised 2007 Version) by Krzysztof Penderecki, Barry Douglas, Warsaw Philharmonic Orchestra, Antoni Wit having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stille Musik: 3. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
St. Luke Passion: Part II: ...in pulverem mortis (Psalm 21) | Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | E Minor | 0 | 9A | 70 BPM | ||
Introduction et Allegro, M. 46 | Lavinia Meijer, Amsterdam Sinfonietta | E♭ Minor | 1 | 2A | 78 BPM | ||
Pärt: Für Alina | Arvo Pärt, Sergei Babayan | G Major | 0 | 9B | 130 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Études: No. 2 | Philip Glass, Víkingur Ólafsson | C Major | 0 | 8B | 122 BPM | ||
Greenwood: 48 Responses to Polymorphia: Overtones | Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra | C Major | 0 | 8B | 83 BPM | ||
Concerto For Violoncello And Strings: II. (Longing) | Dobrinka Tabakova, Kristine Blaumane, Lithuanian Chamber Orchestra, Maxim Rysanov | F Major | 2 | 7B | 85 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
St. Luke Passion, Pt. 1: No. 3, Deus meus (Live) | Krzysztof Penderecki, Lucas Meachem, Warsaw Boys Choir, Kraków Philharmonic Chorus, Orchestre Symphonique de Montréal, Kent Nagano, Krzysztof Kusiel-Moroz, Teresa Majka-Pacanek | A Minor | 0 | 8A | 81 BPM |
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