"Greenwood: 48 Responses to Polymorphia: Overtones" by Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra was released on March 9, 2012. The duration of Greenwood: 48 Responses to Polymorphia: Overtones is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Greenwood: 48 Responses to Polymorphia: Overtones's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Penderecki & Greenwood: Threnody for the Victims of Hiroshima / Popcorn Superhet Receiver / Polymorphia / 48 Responses to Polymorphia". In this album, this song's track order is #9. Greenwood: 48 Responses to Polymorphia: Overtones is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Greenwood: 48 Responses to Polymorphia: Overtones by Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Negative Capability (feat. Abbie Cornish & Ben Whishaw) | Mark Bradshaw, Abbie Cornish, Ben Whishaw | G Major | 2 | 9B | 70 BPM | ||
Slave Raid | Balanescu Quartet | B♭ Major | 4 | 6B | 98 BPM | ||
The Long Ride II | Devonté Hynes | A Minor | 4 | 8A | 162 BPM | ||
HW / Hope of New Fields | There Will Be Blood | D♭ Major | 2 | 3B | 80 BPM | ||
Silent Corridors | Clint Mansell | F♯ Minor | 0 | 11A | 100 BPM | ||
Fratres (Version for Strings & Percussion) | Arvo Pärt, I Fiamminghi (The Orchestra of Flanders), Rudolf Werthen | A Minor | 2 | 8A | 89 BPM | ||
3 Utwory w dawnym stylu (3 Pieces in Old Style): I. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 76 BPM | ||
Blue and Gray | SQÜRL | D Major | 0 | 10B | 73 BPM | ||
Birds In Warped Time II | Somei Satoh, Anne Akiko Meyers, Li Jian, Piano | B Minor | 0 | 10A | 135 BPM | ||
Counting the Stars | Nick Cave & Warren Ellis | C Major | 0 | 8B | 170 BPM |
Section: 0.786283016204834
End: 0.7902679443359375